Friday, August 28, 2026

On Rap

 

With few exceptions, rap was always about muscular black guys with low voices, pretending to be gangsters and shouting insults into public.

Not my thing.
May be that is because I am not a bitch (that is not a female).
As a male person I do not find rap artists attractive. I do not find their music appealing either.
Petite Japanese and other Asians with high pitched soft voices appeal to men a lot more.

That message explains you how the world works in just a few simple lines.

Women gone black (African type black, not just any dark-skinned person such as Arab or Indian)

Men gone Asian

Wednesday, August 26, 2026

On Pop Music

Pop music does not have intelligent lyrics; they are the most baseline of all possibly lyrics so dumb that even the most complete idiot can understand them. Sometimes they just repeat the same word over and over again and call it a song, like "baby, baby" something.

In contrast rock and metal often does have something for above average intelligence. Some of it is growl of course, but far from all of it. Also, even songs with growl can have intelligent lyrics.

Pop works because most people do not think of anything beyond sex and pop appeals to that kind of thinking by singing about "love" so that horny little girls could relate. Horny little girls buy albums and posters of their fav artist, bringing the producers lots of revenue. Girls listen to that drivel, believing being like that artists would make them popular too, that allows fashion industry, cosmetics and so on take part in that megaprofit train as well. Pop artists would wear something new in every music video and all these girls would starve themselves to buy this ludicrously overpriced item in some boutique store.

What horny little girls do not realize is that most other fans of pop artists are other little horny girls and most men do not care for that stuff. Of course there are also male simps, who do not think with their heads and instead just listen to some pretty girl. However, idiots like that would eat raw cactus if a girl said it will make them sexy or something.

In contrast we, metal fans, listen to real music, while lamenting the infinity of human idiotism.

Saturday, August 8, 2026

Chris de Burgh

I think some of Chirs de Burgh really reflect well on personality. Just as the man himself a fellow Libra with 15 of October DoB

He has sophistication, culture, civility and fanciness. The kind that I like. I think I am similar to him in many ways.

And some songs.

When melancholy strikes (for those who do not know what melancholy is, that is), though I prefer to draw my sorrows in music and anime rather than vodka:


When in love, though I prefer to call them slave girls and for them to wear all black rather than red. Reference my demon girl pictures.


Now this is the most important one, the Revolution.

I, him and Lelouch do not fight for social justice and other woke shit, we fight to take back what was stolen from us. I reckon that was a lot.


Finally, this, there is a little bit of everything in this song.

Good Classical Music, that I Like

 Classical music is often associated with past and tradition. Many listen to it for this attribute, to show their admiration for the past. Others consider classical music to be boring and listen to no less boring pop, that near forgoes music for physical attraction of singers instead. Jewish song Leena from Palestina satirizes that perfectly.

While a lot of classical music is indeed boring, far not all of it is. There are some truly epic songs that can beat the score of Star Wars or Lord of the Rings.


One of my favorites is Dance Macabre by Camille Saint-Saens. Dance of Death is cunning and eerie. It begins slow as if death stalks someone and then suddenly erupts in a fast-paced action. Parts of it sounds like it's played on bones. 



In the Hall of the Mountain King by Edward Grieg takes epicenes on the new level. It's both accessible and easy to listen but no less epic than Lord of the Rings soundtrack. It does starts slow but then develops very fast.



Edward Grieg even made a song for trolls, fantasy rather than internet kind, however it can be applied to internet ones as well. Its fast, melodic and very catchy even. It's called March of the Trolls



Edward Grieg also has some more calm songs that nonetheless has depth to them, for example Lyric Piece No 47 - Melodie. It sounds mysterious and eerie despite such unimaginative name. It's very thoughts provoking.



Now the big names. J.S.Bach has many songs, and many are plain but not the window shattering Toccata and Fugue. This song beats whatever Davy Jones was playing in second Pirates of the Caribbean by a mile.



Then there is also peaceful and airy dreamy and mysterious Concerto de Aranjuez. This rather slow song can make you will good and dreamy and think deep thoughts.


Charles Gounod's Ave Maria - this is a very warm and calm song, that can make you feel loved and cared for. It's also mysterious and thoughts provoking. Here are two versions, a piano one above and violin one below.


Thus Spoke Zarathustra - This song references Nietzsche's famous book and is not less mysterious and deep. It's perfect for a grand opening of an occult ceremony to either redeem or plunge the world into chaos.


Los Toreadores - fast and brisque song, that evoke memories of Spanish flamenco and corrida, that is referenced by this song. 


Hungarian Rhapsody - this song takes eeriness and mystery to a new level. It has sounds that you hardly hear in any other songs, either classical or otherwise. Not even futuristic techno has them. Here is plano version, but full orchestra one is better.


Tomaso Albinoni - Adagio. This song encourages you to think eternal questions, such as philosophy and metaphysics. It's both airy like Concerto de Aranjuez and mysterious. 



Zamfir's Ave Maria - This is a different take on Ave Maria. This song uses a rather rare pan flute that gives it a very unique and mysterious sound. There is just nothing like it.

There are more good classical pieces, but I will end this article on just these. Search deeper and you find many good songs.

On Pop Music and Europop

 

I do listen to some pop music.

However, something like Back Street Boys do not appeal to me. Neither is Spice Girls, in fact Spice Girls are probably even worse. They are not hot or whatever.

I prefer Europop such as Aqua or Vengaboys. I think it is more upbeat and entertaining compared to many English or Russian Language singers. There are some exceptions to that rule as well as I like some songs by Kylie Minogue and Madonna. 

First is Vengaboys - We Like to Party Nice easygoing melody from a band that does not take itself too seriously.

Paradisio has just one album, but it has several good songs in them. Here is one of them, called Bailando


Madonna has a few good songs. Here is La Isla Bonita, that has nice Latin American feel to it.



I also like her Beautiful Stranger; it appeals to my ego to have a girl completely on the ropes.

Modern Talking have nice sound and melody.


The unparallel Danish band Aqua. The most unapologetically uwu band of them all. 

Barbie Girl song is about girl who is like a doll and can be anything a man wants her to be. I like that in a woman. Sure, they are doing it somewhat ironically, but still.


However, when it comes to irony, then Perfect Exceeder surely satirizes pop music industry like nothing else.


For some more touching sound and lyrics there is Norwegian band, A-ha and their two songs: Crying in the Rain

As well as Summer Moved On


Finally, Army of Lovers with their iconic Crucified


Judas Priest

Judas Priest is one of the good classical metal bands. Painkiller is a good example of the sound of that beloved genre of music. Edgy and angsty, yet still melodic enough and pleasant to hear.


Friday, August 7, 2026

Epicness of Umineko no Naku Koro ni OST

 A made a separate post about sad songs from Umineko no Naku Koro ni. However, Umineko more than just sad songs. In fact, it has one of the most epic OSTs out there. There is just nothing like it.

Here some of the most epic songs from Umineko no Naku Koro ni


World End Dominator and Executioner are like two twins of epic music. World End Dominator is all round cool, epic and sophisticated. Executioner 




Executioner -
Also known as Berncastel Theme is a clearly an evil twin of the two. However, it is very sophisticated, not just evil. Listening to Executioner makes you want to commit massacres and laugh. (You can't spell slaughter without laughter)


Kuro no Liliana is more calm but no less epic. I guess it can play when lead my slave girls on a leash as they crawl behind me on all fours.


Golden slaughterer - This final piece is somewhat raw, but it is also epic. It has a slow start to build anticipation, before it unleashes the full might of its sound.



Fake Red Shoes - This is somewhat different take on epicness. It has fast-paced dynamics as well as intriguing twist together with signature Umineko sophistication.



Also, this song, unfortunately the name is in Japanese. The pipe organ and clavichord phantasmagoria. 



However, this is just a tip of the iceberg. Umineko has so many good songs, it will take forever to just list them all, much less to write something about them. So, explore them on your own.

Full OST here:



Music of Diablo II

 I mentioned Diablo II in my previous post in this blog.

I want to make a separate post, dedicated to just this game. Aside from subtle but very fitting story and music, that helps building atmosphere and immersion, Diablo II also has good gameplay.

Nice 7 classes that you actually want to play as. Powerful abilities you want to use.

They actually ruined it in Diablo III. For example, they replaced Necromancer with Which Doctor. However, a cool vampiric goth/emo necromancer who has domain over death itself, cannot possibly be replaced with some swampy voodoo dude who only has domain over some frogs and mosquitos.

I mean who would want to be lord of the frogs when you can be lord of death. That fact is a lot more important that a few conveniences that DIII possibly introduced. Eventually they even brought Necromancer back, but DIII Necro seem lacking some of the majesty of his DII version. 

Necromancer is undisputed lord of death: even dead people rise from the grave to bow down to his will and serve him. That is the kind of character I want to play. I will make even dead bow to my will.

I will link here a Necromancer Playthrough from Diablo II Resurrected, enjoy.

On the other hand, Full Plate and Crown geared Barbarian has really mighty rich look of a fantasy King... I can always have several chars at the same time.

I hope there is some sequel for other acts as well. Barb is not that popular, alas.


Also, there is a fun parody cartoon, based on this game, made by Carbot. Comedy at its finest



Nightcore

 Night core is a simple idea, that slightly increasing the speed, at which music is played can contribute towards new and better sound. Despite its gimmick-ness, it does work for some songs and make them better.

For example, this Nightcore track, called Butterfly. It is very cute and fluffy. It also has good lyrics, I rarely like lyrics in songs, but this one is exception.

 

There are more Nightcore songs that I like, for example I am Good. It is a remake of the original I am Blue with mostly the same melody but with different lyrics. I like these lyrics. I like girls who do not want to control their lives and would rather just flow to where the current takes them. I would take control of such girls and take them where I want them to take and do what I want to do with them.

 

There are more. For example, Around the World is a simple, but nice song about traveler's experience.


There are even some symphonic metal remakes that sound well in Nightcore, for example Elan. It has relaxed and self-indulgent feel to it.


Finally, A Demon's Fate. There is always something charming about a girl who is kept captive. This song is about it. 


Dio

 Dio used to be a vocalist for Black Sabbath, before going solo. Many of his songs are deep and insightful. Their thoughts provoking lyrics are spiced with classical metal riffs. 

Don't Talk To Strangers people argue if this song satifises or encourages overly cautious behavior. Id does encourages you to look at things outside of the box.

Holy Diver I think this song is like Dio's self confession that he is not such a scary satanic person, his music image makes him be.



Painkiller

Music of Red Alert and Mortal Combat

Music is very imprtant for video games. It helps to set the mood and provide a feel what the game is about. 

Just listen to these couple of tracks from Red Alert RTS. They are perfect in setting the stage for a brutal war between two Cold War Superpowers, this game is about.

Grinder - Red Alert 2

Hell March


For comparison there is a different kind of track for infamous fighting game, Mortal Combat. Here they used lyrics to set the stage for the battles.


Gimmicky Music

 I like comedy because I like to laugh. Similarly, I like satirical or even gimmicky music that makes fun of the industry, society or something else. Most importantly however it should be able to make me laugh.

Good example of such songs is Cotton Eye Joe by Rednex


And of course, famous Gangnam Style by PSY


Music of Sora no Woto

 Sora no Woto is a very unique anime, with unusual art style and a very unconventional combination of setting. 

Alternative history distant future with combination of primitive and very advanced technologies. That also has mythological stories and eerie festivals. Protagonist is part of a military platoon, composed entirely of women. Their military job consists of scouting, maintaining the fort and trumpeting time. No seriously.

Soundtrack for this show is as unique as it can be. See for yourself.

Opening

Ending

Sevante do Feu



Music of Darker than Black

 Darker than Black had diverse but compelling soundtrack. It helps to set stage for this rather unconventional anime that has all sorts of characters in an action-packed show.

The opening sequence, both music and the clip, helps to showcase all about this show.



However, action is not all there is to this show, it has many ideas to ponder about in calm, peaceful situation.


 The rest of the soundtrack is available below.




Oppositional Russian Music

Like any country Russia has its own pop music that is favored and endorsed by establishment and in theory popular with majority. Names like Alla Pugacheva come to mind. 

However, I am not pro-Putin and most music I listen are non-mainstream, anti-establishment or oppositional. Both Russian and English language. 

Sting, Chris de Burgh, Chris Rea, Blackmore's Nights or Loreena McKennit is not per se oppositional, but neither they are mainstream. These artists look at the world from a different angle and enjoyed by people more sophisticated than average.

There are similar bands in Russia. I already wrote a separate article about band Kino and Victor Tsoi. Tsoi died in 1989, and his band is inactive since, but he remains very popular with general public. His songs are very melancholic and reflect sadness of life in Russia. There are more here but somewhat hard to navigate.

Something more sophisticated that I personally like is Aquarium. Their songs sound nonsensical at first but they are actually full of references and tell a complicated and compelling story albeit in a very cryptic way. However, language they use is hard to understand even for someone very knowledgeable in all the songs, books and cultural ideas they so extensively reference in their songs.

Each song probably has to be explained in detail, but here are few examples:


For something more accessible is Sector Gaza. Unlike Aquarium Sector Gaza uses words that are easy to understand. So easy that it produced a push back and desire to ban it from a more moralistic section of society. It can be considered Russian AC/DC of sorts. If they managed to become as popular as Kino and Tsoi they would probably create as much controversy and shockwaves as Donald Trump.

Despite extensive obscenity of many of their songs for which they are known, they make songs that many can relate to and enjoy. These songs reflect reality of life in Russia for a significant section of society.


There are some explicit anti-Putin and anti-system songs, for example Anthem of the Doomed that mocks government and its supporters by calling them orcs and their leaders' ghouls. Half of the lines of this song probably needs additional clarification for its actual meaning. For Aquarium mentioned above every single line need explanation.

I will end this article with Aria. Unlike the other two, Aria is more wishful and instead of reflecting reality writes long, descriptive and poetic songs often about unfulfilled dreams and aspirations. They have wonderful guitar solos and unique sound.

And probably the best of them:

One thing that unites all these bands is the profound sadness at the fact that life is not as good as they all wish it was. They all shift between criticizing reality as it is and dreaming of a better life somewhere out there. Even the otherwise very obscene Khoy from Sector Gaza is like that.

History of Contemporary Music

 

Nowadays there are many genres and subgenres of music: so many it sometimes too hard to understand what each genre even about or how say trash metal differs from first wave of death metal or second wave of the same. 

That was not always like that, there were times where there were just two genres and even just one. However eventually they split up into so many different ones.

A brief dive into history of contemporary music would allow you to understand why it happened as well as better understand genres.


Pop

At the beginning there was just pop. Pop is short for popular and that was its intention and agenda: become as popular as possible. Before pop there was jazz, blues, bebop and many more; before these there were classics like Mozart and Bach. However, you would not call them contemporary. They have their own history that needs their own article.

To that end pop had catchy tunes with simple lyrics, that were often about love. Songs were typically performed by a good-looking singer who sometimes danced but almost never played any instruments. Physical appeal of singer's looks was often more important than quality of songs or their singing ability. That was further enhanced with selling posters and various merchandise with the likeness of the artist. Producers clearly counted on singer's appearance being the selling point of the whole outfit. The genre revolves around this single singer or sometimes a group of singers who are called stars, idols or celebrities.

To support the singer there was often huge crew of various assistants. Musicians, dancers, make-up artists and so on. Professional composers wrote music and lyrics, professional arrangers arranged it. Professional dancers danced and professional musicians played. All of that was managed by producers. The singer was only the face of the huge machine and the industry behind it.


With some borrowings here and there, mixed with token efforts to change, that are superficial in nature, this genre continues to exist to this day. It is the genre that "keeps changing in order to stay the same".

Its popular mostly with women. Female psychology is wired to like popular things, and it is what keeps this industry running. That applies equally to both female and male pop artists. Male pop singers are popular because their physical appearance appeal to female listeners. Women wrongly assume that female pop singers should be equally popular with male audience but that it not the case. Female singers are also becoming famous through their appeal to female listeners. Women watch and listen to a female idol; assume she is popular with males and dream of being as popular and loved by guys as she is. Reality is that typical pop artist is only popular with other females most males are indifferent to most pop singers.


Rock

Rock was the second genre to emerge. Meaning of its name is ambiguous. Maybe it's from the verb rocking, because it shakes the industry and establishment. May be its from phrase rock solid, because it's not as fake as pop. Rock is not popping as bubblegum bubble, its fully solid. May be its short from Rock'n'roll dance and related music. 

Rock emerged in protest to pop and aimed to be everything pop was not. Rockers blamed pop for being fake and wanted to be true and real. To that end they would write their own songs and lyrics, play them on stage and do everything else themselves. Unlike pop they will not have anyone behind the scenes. To credit everyone who contributed to the effort and not just the singer, they would organize themselves in bands. Often such bands would have catch names. To show they are not faking it and actually able to play instruments and sing, they would perform life on stage. Often there would be one dedicated singer, but some bands, like Beatles would take turns singing.

Songs and lyrics were different too. Not satisfied with sanitized and docile lyrics only about love, rock would expand topics, war, politics, social issues and many more. Often, they would have deliberately controversial lyrics to protest something they dislike about society. Sometimes they would take deliberate jabs at pop, mocking the genre for its various traits, rockers have issues with.

Melodies were similarly different, rock had less musicians to work with, but they were often willing to experiment with instruments and produce more radical and never before heard sound. Often that sound would be much heavier and angrier in its character compared to pop. Other times desire to showcase personal provenness as musician and ability to play would make certain musicians to compose and play complicated solos. Jimmy Hendrix particularly famous for it.



All of that made Rock both much more diverse and sophisticated than pop. 

It also brought love of fans who disliked pop for one or the other reasons. Gradually rock had about as much fans as pop and most of these were new people who used to shun pop. Who had more fans at any given time is too hard to evaluate now. 

However, many rockers are remembered much more roundly and by many more people compare to their pop equivalents. Pop was always in the now and artists who stopped releasing albums or performing would often be forgotten soon enough. In contrast rock had legends that endure long after they either disbanded or even literary died. Beatles, Kurt Cobain of Nirvana, Viktor Tsoi of Kino are ever remembered by their diehard fans, something pop artists cannot brag about. Unlike pop, rock could create this lasting voice of generation effect, not just fashionable this year passing fancy.

Because of rock, term rockstar rather than popstar is now associated with musical success, fame and things that go with it.

However, pop continued to be popular with its core demographics. It was not that its formula did not work, it was that it did not work on everyone.


Synthesis

Hoverer while rock build itself around the rejecting everything pop was, that feeling was not mutual. Far from it, pop actually say rock as a form of pop, that does the same thing as them, even if in a somewhat different way. That sentiment would make more purist rockers churn and spit. However, being popular was good enough credo in the eyes of pop industry and rock certainly was popular.

Because of that pop decided to imitate rock and learn its secrets in order to be even more popular than before. Thus, pop rock emerged where pop artists would adopt look of the rock bands and would sing holding guitars and such. That did not manage to win any rock fans over to pop but was popular enough with the pop crowds for several bands to do it.

What had much more enduring and lasting success however been rock musicians going pop. Sure, it was unacceptable from rock purists' point of view, but pop had something to entice popular rockers and that something was money. Sure, purists would turn back on you, calling you a sellout to big corporations' dirty money. However, so what if your old friends, with whom you started your career now curse you when you are millionaire and living a blast of a live.

There were even natural tendencies towards this development. No matter how much rock wanted to share fame and credit equally among all band members, public would still remember the lead singer much better than the guy who sit behind the drums. They will see him as leader and the rest as followers. That would allow "leader" to ditch his bandmates for hired musicians and a career under their own name. 

Even Beatles, where all four members composed songs and lyrics and took turns singing were not immune it that tendency. Public grew to see John Lennon as leader, Paul McCarthy did not want to stay in Lennon's shadow, so he quit Beatles to start solo career. Much to McCarthy charging, Lennon remained the most popular of four in his solo career as well.

That happened many times over, Black Sabbath grew both Ozzy Osbourne and Dio, who after being vocalists there for some time, quit and continued as solo musicians. There are many more solo musicians, who started in a band that few remember nowadays and then quit to become solo artists. Sting is a good example.



Such "gone solo" musicians would be best equipped to be successful in both worlds. Rock origin would allow them to keep their rock credo together with many of the original fans. They will also have unique inside knowledge of rock world and what it takes to be successful with the rock fans. 

Because of difference in attitudes towards each other, pop world would welcome such defector with open arms, and they will have a head start towards stardom.

To keep their original rock fans from dissipating, many would continue to perform with their new hired band on stage. They will also make their new songs sound as close to those of their original band as possible.

To keep pop fans engaged, there will be more show on stage interviews posters and other merchandise.

Do this right and your career would be as never-ending as that of Ozzy Osbourne and you will be super-rich embodiment of a rockstar. That is far more that what pop rock could possibly achieve, no one could possibly remember a name of a successful pop rock musician.

Diffusion

While rock fans are united in their mutual dislike for pop, when it comes to what they like about rock they are not united at all.

Many rebel movements, that succeed in overthrowing the regime, end up splintering into several smaller groups, that each fight for their distinct vision for the country. Sometimes these are political fights like in the US. between states and federal government and them between federalist party and democratic-republican one. Other times it is a continued armed struggle, like in Libya between Islamists and secularists.

Same with rock. Once unified movement eventually begun branching out into several different movements, who themselves later developed many subgenres of their own.



The most prominent offspring of rock is of course metal. Metal was a logical continuation of enhancing the sound. Metal takes that hard rock sound to its complete extreme. Even early rock often had heavier sound than pop with guitar riffs, distortion and many other sound effects that made sound harder and angrier. That branch first became hard rock, then metal and finally branched out into innumerable subgenres of said metal.

Each subgenre of mental differs in lyrics, appearance, ideology. Some sing about death, others about violence, some about occult stuff or devil, others about legendary warriors or even fantasy worlds They have differences in sound as well, but all of them sound much heavier and angrier than pretty much every other genre. Metal also developed a specific form of singing, called growl, that half of metal bands use. Other instead scream or yell and some sing in more normal voice.

Metal fans are typically people angry antisocial people. Some want to at least listen to songs about destroying society if they cannot actually destroy it. Other instead indulge themselves into escapism about legendary warriors, distant lands and fantasy worlds. Leather jackers, aggressive colors (particularly black) as well as aggressive fonts are typical among both fans and bands.

Metal fans are less concerned with opposing pop compared to expressing their anger with society, so they are not opposed to commercialization. Certain metal bands, that clearly begun as commercial projects, are as popular as more underground ones. Normally, metal does not deliberately aim to be an affront to social norms but often ends up being one due to being generally as extreme as possible.



Other much smaller branch decided to double down on ethics of being authentic and not selling out. They came to not only oppose pop as genre, but also popularity in general. They double down on lyrics and sing about issues they find meaningful for them. In their lyrics they often criticize pop, society and entertainment industry in general. Skyclad is an example of such band.

Unlike metal, who takes sound to the extreme, such bands have more toned-down sound and emphasize lyrics instead.



As much authentic rock would rather "be bitter than a flavor of the week", pop and hipsters came enjoy imitating them and their anti-popularity stance and created various indie and hipster bands to make dubious claims to authenticity.

Hister bands deliberately try to go against trends in hope that would make them popular instead. While fans of authentic rock would scoff and these hipster efforts, these efforts actually worked for some of them, and they gather support from likeminded fans who listen to such bands in order to look edgy and cool to their peers. For hipster it does not matter if lyrics matter, or band just act this way.



Then there are, people who like to be rebels without a cause. They gravitate towards various forms of punk rock. Unlike metal that takes sound to extreme, punk rock instead takes debauchery and chaos to the extreme. To the extend it can be contrasted with both metal and authentic rock, because if metal cares for cause more than for rebellion then punk does not care for a cause at all and just wants to rebel for rebelling sake.

To that end punk is deliberately as offensive to public tastes as they manage to get. Appearance wise punk tries to stand out as much as possible. Unlike stubborn defiance of metal, punk is all about screaming and shocking. Piercing, colored hair, torn clothes and such are very common among these group.

I punk are rebels without cause, then metal is cause without rebels.



There are other offshoots of rock, such as psychedelic rock of Pink Floyd, that is liked some people due to their possibly eerie sound. Unlike metal they try to make their sound as strange as possible.

There are some that combines certain elements of these and other genres such as folk or even soprano singing to make unique sound and create a new genre in their own right. 



In addition to these and other offshoots of rock, there are many new genres that emerged completely on their own without particular connection to either pop or rock, techno for example. 

Finally, there is rap, for little girls who are into black people. In that regard its closer to pop than to rock, but it's not completely so.

Conclusion

Conflict between pop and rock ultimately produced diverse and multicolored contemporary music scene, where everyone can find something to their liking.

The common pattern between these developments can be observed in other events of the era. A new trend first unites supporters around itself, then produces opposition. Opposition typically wins but then splinters into several distinct groups. Eventually field diffuses into variety of different groups with many diverse characteristics. Many of these new groups combine traits of the original and the opposition in different proportions. 

For example, cold war begun because communism was created. Communists were one and united for a common cause and common ideology. In contrast their opponents were very different from one another and only united in their common dislike for communism. When communism was defeated, many went on to develop in their own, sometimes very different way.

More recently war in Libya showed similar trend.

Something less geopolitical is feminism. Feminists are united for the common cause, but opponents of feminism do not have common vision of what they want from relationship, only common dislike for what feminism is.

The principle of "thesis, antithesis and synthesis" works in all of these cases.

Detailed Analisys of the What is Popular and What Not in the US and the Rest of the World

Yesterday I wrote an article about songs that made it on one side of Atlantic but somehow failed on the other. I made some conclusions, but time was limited and could not say all I wanted to. Overnight I thought about it again and decided that is not enough and even somewhat misleading. More has to be said to make the differences between Americans and the rest of the World clearer. Just saying what is popular and what isn't will not do much without analysing the reasons why this or that song worked or did not work either side of Atlantic.



I will begin with Hang Up by Madonna, normally her songs are popular on both sides of the pond, but this one is a clear outlier, being hot in Europe but ignored in the US. So, it cannot be explained with lack of exposure and such, something in the song repealed American viewers but not European ones.

After some pondering, I concluded that is probably has something to do with feminism and objectifying women. Half of the music video shows Madonna shakes her ass on camera. In America being politically correct and morally upright matters a lot so such explicit exploitation of female body probably offended American sentiments and song failed in the US. 

In Europe and Australia however, people find nothing wrong with objectifying females, those who do find it offensive are told to drink beer until they no longer think so. So, Hang Up did not offended anyone and song was a hit.



Now for the Before He Cheats by Carrie Underwood (did I remember her name correctly). This one is simple actually. Why would anyone find it acceptable when anyone vandalises your car and other belongings for any reason? Here world is united that such behavior is unacceptable and ignores the song that endorses it. As a non-American it more puzzling for me why Americans like this song?

Generally, Europe and the world, has a lot less tolerance towards wild female behavior. What is OK in the US will get women arrested or deported elsewhere, even in stereotypically wild countries like Australia, that actually not that wild at all. More details below.



American runner up was Higher by Creed. Here European stereotypes actually explain it. Europeans are much less religious that Americans so a religion inspired rock will not do well in Europe. Difference in Creed's popularity on different sides of the Atlantic proves that.

On the other hand, Imagine by John Lennon, anti-war British song, did poorly in the US because his vision of better world without war included no religion.



Another outlying song was Can't Get You Out of My Head by Kylie Minogue. Americans normally like Australian things but this song somehow was unpopular in the US despite being liked elsewhere across the globe. The reason for that is that in the US this song somehow got associated with gay culture despite the song not having any homosexual references in lyrics and is about heterosexual love. 

In general, certain songs in the US somehow become so called gay anthems, despite nothing in their lyrics or artists suggest anything homosexual at all. That is part of American tendency towards identity politics/signalling. A lot of rather boring songs, that get no traction elsewhere, somehow become popular in the US because they become identity anthem of one or the other group. The rest of the world does not do that and instead listen to what sounds nice. That will also explain why Europop does poorly in the US as that too gets associated with gay culture.



A final note, while Europeans fooling around, pretending to be Americans in their music videos, Americans do it IRL, pretending to be Australians and by Australians, I mean Steve Irvin. Recently an American women got deported from Australia for kidnapping a Wombat's baby and filming it on camera. She probably imagined herself to be next Steve Irvin and thought it will be OK to do something like that in his country of origin. Turned out it was not. Just cause Steve Irvin did it does not mean its legal. Even if he did it, he followed certain rules and precautions, it was a show on camera, not a reality show. 

Fundamentally however it's also a stereotype driven behavior where Americans assume that all Aussies are like Steve Irvin and wrestle with crocks daily. Most Australians will hardly touch any wildlife other than very peaceful Koalas, who are local favorites. It's because wildlife here sometimes dangerous that we do not touch them, just in case to be safe.



I will live it at that at least for now, maybe I will think of more to add later. I analysed some of the songs, but not all of them. So, I recommend watching full videos, linked in the very beginning of the article. I will link them again here: one and two. You will be able to see for yourself what works and what not.

Different Opinions About Music in the US and the Rest of the World Extended

In several of my articles, particularly those about communism, Russia and the West I used to write on how different American stereotypes about Russia are compared to the actual Russia as well as the other way around. What people choose to believe is far from reality. 

Turns out I am not alone on that. I recently watched a video, comparing popularity of different songs in the US compare to the rest of the world. First, they made a list of most "American" songs: songs that were popular in the US but were not popular elsewhere. They followed by a second video about songs that were popular outside the US but somehow never managed to win Americans. 

To make this objective, the organisers used the archival charts of the most popular song from the US and a selection of other countries. They aimed to find songs that topped the charts on one side of the Atlantic but ignored across the pond. Watch the full video on details. Before revealing the results, they offered a range of Youtubers from different countries to make a guess on what songs would top the charts.

The results did not confirm any stereotypes that people assume of the US and Europe. Before looking at data, youtubers speculated that songs acclaiming America, eagle screaming, gun blazing, like Born in the USA would become US only hits. That turned out not to be the case, the song did not even make top 10.

Most of the America only songs were rather quiet and timid even. They had rather simple melodies and lyrics about either about love or various identity issues peculiar to American life. As a European I never heard any of them. That said most of them sound too bland to appeal to me and I think other Europeans are of the same opinion.

Another distinct feature was presence of several Australian artists, that Australians themselves are not familiar with. I say that as a person who lived in Australia for two decades. Clearly Americans have some peculiar interest in Australia for some reason. 

The overall winner however Carrie Underwood with Before He Cheats. Outside of the US most remember her as someone who sand on Trump's inauguration. That was also the first time I heard of her and immediately forget about her afterwards. 


More surprises however came from songs that were loved by the world but ignored by Americans. A lot of it was so called Europop, German Boney M had most songs across several charts but, as far as I can remember, have not topped any of them. However, there were many songs from prominent American singers, including Hang Up by Madonna and Shut Up by Black Eyed Peas. Even King of Pop himself, Elvis Presley, managed to appear in one of the charts.  

However, even among Europop, clearly America themed songs, such as Barbie Girl, somehow won hearts of Europeans but not Americans themselves. What happened to the stereotype of snobbish Europeans, turning noses away from anything American.

Here winner was Hung Up by Madonna. Isn't that as American as you can get? Al least in Europe we think that Madonna is like essence of Americanness. That nice unique melodic jingle makes it so memorable.



So, what can we take from all that aside from the fact that this disproves all the stereotypes?

Despite the stereotype of being eagle screaming, gun touting, Americans are actually very fond of simple quiet songs, sang by equally simple and plain people. If you look at these songs a little deeper, you can notice that many of these singers seems struggle singing, as if it's something they are not too comfortable talking about or something that holds a lot of meaning for them personally. 

Combine this with rather plain melodies and it's clear that these songs are lyrics driven. It's the meaning behind these lyrics that make them popular in the US. Kind of like Kino and Victor Tsoi is for Russia. For Americans music is first of all a song and melody is secondary. 

However, this meaning is lost to people outside of the US as culture and life differences makes it impossible to relate to what they sing about.



In contrast global favorites tend to have catchy melodies and memorable performance. You can hardly find a single song where melody have nothing memorable about it. If melody is not memorable it is not going to be remembered, as simple as that. Words and lyrics come secondary and often have to complement the melody rather than the other way around. Often lyrics have few easy to hear and remember phrases that get stuck in the brain and make people remember the song. 

Europe and the world speak variety different languages. Words that make sense to some do not make any sense to others. However, a good catchy melody can be understood no matter what language you speak. 

Another surprising thing is the fact that global favorites a lot stronger scream America than American own favorites. Americans themselves shy away from their Americanness while Europeans find playing Americacans to be the thing to do. 

Almost like a quote from a Gothic King of Dark Ages: "Wealthy Goth plays Roman, poor Roman plays Goth." That means wealthy members of Gothic people liked adopt many aspects of Roman culture and tried to be as Roman as possible. In contrast poor Romans imitated Goth instead. 

In our modern world lefty Americans adopt faux European culture to look fancy and sophisticated in the eyes of their American peers. In contrast European bands do not hesitate to sing in English, adopt American stereotypes and pretend they are Americans in their music videos. In both cases the stereotypes they imitate are far from reality of what each side of Atlantic is like. Europeans are not culturally left; Americans are not what they look like in Rednex music videos. 

Another thing that stands out is that global favorites are more explicit that American ones. That not only applies to singer's appearance, but also to the lyrics and overall feel. Americans perhaps have certain reverence towards love, relationship, identity and some other things, not something the rest of the world feels the same about. When it comes to American songs that somehow missed out in American charts but made it globally, it is likely that they crossed certain taboos that exist in American society and thus were taken down. The rest of the world do not share these taboos however and embraced these songs instead.

Finally, another thing that world appreciate more than Americans is humor, particularly irony. Most of Europop is subtly ironic. These are songs that make you laugh, not touch your heart. That is how world loves it. That also means that creative music videos and overall interesting performance is important for the success of the whole.



This difference in music tastes that disprove rather than affirmed the stereotypes that people often repeat about Americans and the Europeans. Its Europeans who pretend they are eagle screaming, gun blazing, haystack fucking Americans. Americans instead pretend to be lefty leaning, accepting, politically correct Europeans. That is how world is.

As a bonus I will link some of the faux American music videos by European bands, Barbie Girl by Danish Aqua, Cotton Eye Joe by Swedish Rednex and America by German Rammstein. I am not sure if they were released in the US or not. Perhaps some might consider them offensive to American feelings. In a sense that they are watch me do stupid like an American. That is why they kept them in Europe. On the other hand, maybe European irony is subtle enough to avoid offending Americans, I wonder really. Watch these and judge for yourself.

There is more text below after these videos.




In Depth Analysis

Yesterday I left it at that, but overnight I thought about it again and decided that is not enough. Just saying what is popular and what isn't will not do much without analysing the reasons why this or that song worked or did not work either side of Atlantic.



I will begin with Hang Up by Madonna, normally her songs are popular on both sides of the pond, but this one is a clear outlier, being hot in Europe but ignored in the US. So, it cannot be explained with lack of exposure and such, something in the song repealed American viewers but not European ones.

After some pondering I concluded that is probably has something to do with feminism and objectifying women. Half of the music video shows Madonna shakes her ass on camera. In America being politically correct and morally upright matters a lot so such explicit exploitation of female body probably offended American sentiments and song failed in the US. 

In Europe and Australia however, people find nothing wrong with objectifying females, those who do find it offensive are told to drink beer until they no longer think so. So, Hang Up did not offended anyone and song was a hit.



Now for the Before He Cheats by Carrie Underwood (did I remember her name correctly). This one is simple actually. Why would anyone find it acceptable when anyone vandalises your car and other belongings for any reason? Here world is united that such behavior is unacceptable and ignores the song that endorses it. As a non-American it more puzzling for me why Americans like this song?

Generally, Europe and the world, has a lot less tolerance towards wild female behavior. What is OK in the US will get women arrested or deported elsewhere, even in stereotypically wild countries like Australia, that actually not that wild at all. More details below.



American runner up was Higher by Creed. Here European stereotypes actually explain it. Europeans are much less religious that Americans so a religion inspired rock will not do well in Europe. Difference in Creed's popularity on different sides of the Atlantic proves that.

On the other hand, Imagine by John Lennon, anti-war British song, did poorly in the US because his vision of better world without war included no religion.



Another outlying song was Can't Get You Out of My Head by Kylie Minogue. Americans normally like Australian things but this song somehow was unpopular in the US despite being liked elsewhere across the globe. The reason for that is that in the US this song somehow got associated with gay culture despite the song not having any homosexual references in lyrics and is about heterosexual love. 

In general, certain songs in the US somehow become so called gay anthems, despite nothing in their lyrics or artists suggest anything homosexual at all. That is part of American tendency towards identity politics/signalling. A lot of rather boring songs, that get no traction elsewhere, somehow become popular in the US because they become identity anthem of one or the other group. The rest of the world does not do that and instead listen to what sounds nice. That will also explain why Europop does poorly in the US as that too gets associated with gay culture.



A final note, while Europeans fooling around, pretending to be Americans in their music videos, Americans do it IRL, pretending to be Australians and by Australians, I mean Steve Irvin. Recently an American women got deported from Australia for kidnapping a Wombat's baby and filming it on camera. She probably imagined herself to be next Steve Irvin and thought it will be OK to do something like that in his country of origin. Turned out it was not. Just cause Steve Irvin did it does not mean its legal. Even if he did it, he followed certain rules and precautions, it was a show on camera, not a reality show. 

Fundamentally however it's also a stereotype driven behavior where Americans assume that all Aussies are like Steve Irvin and wrestle with crocks daily. Most Australians will hardly touch any wildlife other than very peaceful Koalas, who are local favorites. It's because wildlife here sometimes dangerous that we do not touch them, just in case to be safe.



I will live it at that at least for now, maybe I will think of more to add later. I analysed some of the songs, but not all of them. So, I recommend watching full videos, linked in the very beginning of the article. I will link them again here: one and two. You will be able to see for yourself what works and what not.

Horses are Running Translation

  


I decided to translate lyrics of some Russian songs into English. This song has a translation in comments, but its quality is abysmal. I can do better and will do.


Horses ripping miles as they gallop

We treasure out freedom

Through the sights of my machine gun

I search for enemy in the dust.

I will pepper him with "dagger fire"

Once I let him close enough

I spare nothing in battle

And regret nothing

I can find only joy in lethal force of my little friend

For I can look calmly only at a dead enemy


I have but one care

There nothing more important

Horses ripping miles as they gallop

Machine gun "scythes like poison"

(last two verses are repeated several times)

Anthem of the Doomed Song Translation and Interpretation

 

A while ago I translated traditional anarchist song, Horses are Running because I thought existing translations did not do it proper justice. Looking at many other Russian songs I like, I notice that they all have a rather nuanced lyrics, actual meaning of which is often lost when translated. Russian art and sometimes even normal speech tend to be more subtle than particularly American one, famous for being very upfront and on point. There are a lot of references to various other books songs and such, making it impossible to understand what any of that means if you are unfamiliar with what is being referenced. Thus, I decided that I need not only translate but also provide context to some of the phrases and references used in the lyrics.

Subject of this particular article is Anthem of the Doomed song. It is an anti-Putin regime protest song, written in wake of War of Ukraine. The song is popular with various opponents of Putin regime and reflects their feelings about the whole situation. Back in the days I would have called it very on point, but after spending couple of decades in Australia, I can notice that song would be very confusing to someone not familiar with Russian oppositional lingo and talking points, much less to someone from a foreign country. The song speaks to feelings of those who already oppose Putin while at the same time may pass on as neutral or even pro-Putin to those unfamiliar with oppositional lingo and reference points.

It almost as if such a song is self-defeating to the oppositional cause as such a song only radicalises those who already oppose Putin while failing to sway those who are undecided and fails to clearly communicate its opposition to the regime. One can say the same about many other messages that anti-Putin opposition produces. One might even call it a cunning and successful neutralisation of opposition by Russian government, government managed to produce a message that resonates with anti-Putin Russians that at the same time does not sound anti-Putin to foreign audience or even non-oppositional Russians.

However enough of context, the lyrics.


Sodom and Gomorrah came to Moscow

The city I no longer live in

Sodom and Gomorrah are associated with homosexuality, Russian government is known to be anti-gay in the West, but that is not really true as many of them are actually gay. 

However main idea is not that it is about homosexuality, but that war in itself is a kind of perverted orgy that meant to appeal to certain dark traits and desires, hidden in Russian soul. More details further below in other lines.

Those ghouls on TV have long had

Their arms drenched in blood to the elbow

The second line about 'arms drenched in blood' is a common reference to various autocrats who ruled Russia and whose rule caused significant number of deaths. It supposed to invoke a sense that bloodshed these people caused are excessive and unreasonable.

The first line about 'ghouls on TV' mean both senior officials of Putin's regime, including Putin himself as well as major TV anchors who support the regime. In Russia TV is controlled by the government so only pro-government anchors as well as government officials allowed to appeal. Since they all work for the regime, they are all complicit of its crimes.


Look there, orcs.

Orcs

Orcs

Orcs, eating crusts.

Orcs are common slur, used to describe Russian troops by their Ukrainian opponents. However, the final like adds another detail. Eating crusts, or leftovers is a reference to poverty. Most Putin supporters are people impoverished by his rule, who nonetheless support him because Putin successfully managed to convince them they are poor because of the West, not him or his rule. To support this mindset, government keeps telling people about bandits, poverty and misery during 'wild 90s' when Russian government was pro-Western. All to convince people that they are poor because of Americans and Europeans, collective West, not because of those in Kremlin and other corridors in power rob them. Through that Kremlin cultivates hatred towards West among Russian people. The song calls those who believe in these lies orcs.


Path of the Doomed

Path of those who believe in Kremlin's lies and now go to their certain death in war in Ukraine.

Trains full of Inmates

References to Soviet era mass transportation of prisoners to Gulag as well as mass deportations of certain ethnicities, like Crimean Tatars to undeveloped lands in the east.

Tribes of Renegades

Possibly a reference to various pro-government youth organisation, like Nashi, that Kremlin sponsors to mobilize as many people to their causes as they can. Those who join reneged on truth.

Novichok to the Underpants.

References killing various political opponents, using complex poisons, like Novichok that was used against Sergei Skripal in UK.

Laughter of the Lepers

Line about those who enjoy what government is doing and want to see them kill more. The authors find them so reprehensible, he compares them to lepers.

Masks of Distorted Faces

Line about those who pretend they support the regime, to prevent repercussions from the government, but actually dislike the war. They are hiding their true self behind the mask. 

Submerged in the Sweet Dream

This is one of the more complex lines. It's about those who either believe Kremlin lines or what to believe them. Those who want to see the war no as an aggression but as a fight for a good cause. To them Kremlin provides 'Sweet Dream' where Russia is a hero fighting against bad guys. Russian propaganda deliberately casts Ukrainians as Nazi to give people this illusion of Russians being good guys in this war and fighting against something evil, Nazis in this case.

And Wet Earth

Earth wet with blood but also earth wet because no one left to work it.


Goida orcs

Goida orcs

Goida orcs

Goida, da da

This is reference to a word pro-Kremlin propagandist Okhlobystin coined. He claimed it's an ancient Russian word, that means something like 'let's go', something to rally people. He it used to ironically rally supporters of war to fight. It's an implied question to the supporters, are you willing to actually go and fight there? He is depicted in music video as Alien from Alien vs Predator, that prompt many in comments to ask the creators how they could convince Okhlobystin to 'star' in the music video.



Passing gases and drill for oil

Reference to Russian economy excessive dependence on oil and gas industries

Third Reich have nothing on us, we are Third Rome

Statement that Hitler's delusional ambitions on reshaping the Europe as his Third Reich are far not as delusional as those of Russian patriots who unironically think of themselves as successors of Roman Empire. During various times in 19th century Russian Tsars actually tried to retake Constantinople, the Second Rome, from Ottoman Empire and either re-establish Byzantine Empire or make it part of Russia. Despite that City of World Desire eluded them.

The superior will decide for me and you

Who flies back home as cargo 200

This is reference to the fact that authority figures in Russia have too much power and that people are far too acceptant and resigned to their decisions. That is something opponents of Russian system like to complain about, but unable to change. 

Finally, cargo 200 is a euphemism to people killed in action who are labelled as 'cargo 200' in military inventory. I wonder if military decided to call it that to hide real nature of this and other things in their inventory, but it sounds condescending and disrespectful to people who died. By extension this applies to how government generally values human life rather low and does not hesitate to send people to certain death or even kill them if its expedient for the Kremlin.


Look there, orcs.

Orcs

Orcs

Orcs came down the hill.

Hill here is possibly a reference to Valdai Hills, where Putin likes to send young people from organisations such as Nashi to indoctrinate them into Orc-hood.


Path of the Doomed

Trains full of Inmates

Tribes of Renegades

Novichok to underpants

Laughter of the Lepers

Masks of Distorted Faces

Submerged into Sweet Dream

And Wet Earth

(same as above)


Shamans growl in Woods

Might as well be a reference to opponents of the regime, helplessly trying to reach out to someone to rally against the regime, but they are lost in the woods and unable to get their message across

Junkies boil in Caldrons

Reference to those who gave up trying to change anything and now abuse substances instead

Caravans leave towards western border

References those who leave Russia for western countries

Jesters Dance

So, Suckers do not get bored

References how Russian TV distracts public from issues facing the country with some cheap entertainment

And hurried to karaoke to meet the Armageddon

Country is at war and approaching its destruction, but people entertain themselves harder than ever

(Several key verses repeat several times afterwards)


A rather complex breakdown of the seamlessly simple song, that at increased total amount of words somewhat 10 times. They tried to cram all their grievances against Russian government, they had to cut too many corners for it to make any sense to anyone unfamiliar with Russian opposition. I hope it will make clearer what the song is about.

In future I plan to cover more songs in a similar manner: Aquarium, Aria, Kino, Sector Gaza and other bands I like. Not all, in fact most, will not be political, or not as political as this one, but they are good in their own way and reflect on complexity of Russian art and some of the people who appreciate it.

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